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Memories of nowhere, by David Chandler

This essay was first published in Martins’ The Diminishing Present. Chanlder responds to Martins’ work in a personal and intimate way, exploring the memories it awakened in him.

english /
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The bay road bird, by David Campany

This essay was first published in Martins’ The Diminishing Present. Campany’s fictional and intimate recalls a dream he had inspired by Martins work.

english /
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The diminishing present, by Nuno Porto & Ana Rita Amaral

This essay was first published in Martins’ The Diminishing Present. Porto and Amaral’s original essay break down the prevalent themes in Martins’ work and develop an in-depth visual semiotic analysis of each of them.

portuguese /
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Presente ameaçado: fronteiras e mitos, by Maria do Carmo Serén

This essay was first published in Martins’ The Diminishing Present. Serén explores how borders, non-place spaces and myths are tackled in Edgar Martins’ work and how they explore ideas of uncertainty about the future.

portuguese /
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Under the paving stone, by Cyrus Shahrad

This essay was first produced to accompany a feature of Edgar Marins’ work in Hot Shoe Magazine. Shahrad’s fictional essay is inspired by Martins’ The Accidental Theorist.

english /
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Life is a beach, by Roy Exley

This essay was first produced to accompany a feature of Edgar Marins’ work in Hot Shoe Magazine. Exley’s essay deconstucts and analises Martins’ approach and methodology in The Accidental Theorist.

english / portuguese /
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Edgar Martins’ forensic landscapes, by Roy Exley

This essay was first produced to accompany a feature of Edgar Marins’ work in Daylight Magazine. Exley reflects on Martins’ project The Diminishing Present and his photographs sinister urban and rural spaces.

english /
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The rehearsal of space, by Angus Carlyle

This essay was first produced to accompany a feature of Edgar Marins’ work in Hot Shoe magazine. Carlyle reflects on Martins’ photographs of forest fires.

english / portuguese /
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Do not linger on desolate ground, by Angus Carlyle

This essay was first produced to accompany a feature of Edgar Marins’ work in Hot Shoe magazine. Carlyle reflects on Martins’ photographs of highway sound barriers in Portugal.

english /
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A paisagem no dualismo gnóstico do fim de milénio, by Maria do Carmo Serén

This essay was first published in Martins’ Black Holes & Other Inconsistencies. Serén explores how concepts such as borders, non-place spaces and dystopian myths are tackled in Edgar Martins’ work.

portuguese /
essay /

I see a darkness, by Angus Carlyle

This essay was first published in Martins’ Black Holes & Other Inconsistencies. Carlyle explores Martins’ reference to black holes in the landscape. He argues that they are a metaphor for reason at the point of exhaustion as we can no longer identify the signs and language that the modern city yields.

english /