Civilization: The Way we Live now, an exhibition curated by William Ewing featuring works from the series The Poetic Impossibility to Manage the Infinite, The Time Machine and 00:00.00 is  exhibited at The Kunsthalle München, Germany. This exhibition will run from 09 April until  24 August 2025.

Edgar Martins’ Cannibalism (from the series ‘The Rate of Convergence from Two Opposing System Trajectories’, 2010) is featured in the front cover of The London Magazine’s April/May issue. 

This exhibition brings together works from the Encontros de Fotografia collection, including works developed as part of a specialist collaboration between CAV and Edgar Martins. The exhibition will be on display from 30.03-15.06.2025.

This exhibition brings together over 120 works by renowned artists including Vieira da Silva, Amadeo de Souza-Cardoso , Paula Rego Edgar Martins, among others. The show featuring early works from Edgar Martins’ The Accidental Theorist and The Diminishing Present series. The exhibition will be on display from 11.02-31.05.2025.

“Anton’s Hand is Made of Guilt. No Muscle or Bone. He has a Gung-ho Finger and Grief-stricken Thumb.” opens at Galeria Daniel Cuevas, Madrid. This exhibition runs from 30.01 – 30.03.2025. This part-documentary, part-speculative project is based on a poignant and very personal story and experience: the death and disappearance of Edgar Martins’ close friend, photojournalist Anton Hammerl, during the 2011 Libyan war. The project takes Hammerl’s story as a jumping off point to reflect on the decisive but paradoxical role that photography has played in conflict zones, photographic ethics and the misinformation ecosystem surrounding war.

Letter of departure in the form of a will, from the series Siloquies and Soliloquies on Death, Life and Other Interludes, 2016, is included in the group exhibition A Public Affair: Final Act, curated by Bayao Hassan Bello @ Cloudd Seven, Brussels. This exhibition runs from 22.01.2205 to 29.03.2025.

Paper plane, from the series Siloquies and Soliloquies on Death, Life and Other Interludes is included in the group exhibition “…daquele que é (des)objecto II. This exhibition runs from 27.09.2204 to 22.02.2025.

“Anton’s Hand is Made of Guilt. No Muscle or Bone. He has a Gung-ho Finger and Grief-stricken Thumb.” opens at Galeria Filomena Soares Lisbon. This exhibition runs from 21.04 – 16.11.2024. This part-documentary, part-speculative project is based on a poignant and very personal story and experience: the death and disappearance of Edgar Martins’ close friend, photojournalist Anton Hammerl, during the 2011 Libyan war. The project takes Hammerl’s story as a jumping off point to reflect on the decisive but paradoxical role that photography has played in conflict zones, photographic ethics and the misinformation ecosystem surrounding war.

Untitled (from the series Reluctant Monoliths), from the Centro de Arte Moderna (CAM) collection integrates the Open Storage of the Centro de Arte Moderna’s inaugural exhibition programme. This exhibition runs from 21.09.2024 – 11.05.2025.

Paper plane (from the series Siloquies and Soliloquies on Death, Life and Other Intreludes), from the Fundação Leal Rios collection integrates the exhibition … DAQUELE QUE É (DES)OBJECTO @ FARRA, Festa da Arte em rede na regioão der Alentejo, Forte de Santa Luzia. This exhibition runs from 27 July – 28 August 2024.

Edgar Martins joins The Moth House at Inventory Book Art Fair, Cromwell Place, London, from 7-09.06.2024., where he will be signing copies of his new book “Anton’s Hand is Made of Guilt. No Muscle or Bone. He has a Gung-ho Finger and a Grief-stricken Thumb”, a collaboration withDavid Campany, Will Self and others.

Anton’s Hand is Made of Guilt. No Muscle or Bone. He has a Gung-ho Finger and Grief-stricken Thumb is included in the Athens Photography Festival @ Benaki Museum. This exhibition runs from 6 June – 28 July 2024.