Lockup is a piece of piss compared to lockdown + NFT

£4,000.00

This dypthic was produced in the context of Edgar Martins’ What Photography & Incarceration have in Common with an Empty Vase, a project which results from a collaboration with inmates, incarcerated in the West Midlands, their families and a myriad of other individuals and community groups in the region.

By using image and text, new and historical photography, evidence and fiction, Martins’ work proposes to scrutinise how one deals with the absence of a loved one, brought on by enforced separation through incarceration and lockdown. This artwork was inspired on a snide remark made by an offender Martins befriended during his incursions into Birmingham prison and who commented “Lockup is a piece if piss compared to lockdown”, after his release during the first lockdown of 2020.

By giving a voice to inmates and their families and addressing prison as a set of social relations rather than a physical space, Martins’ work proposes to rethink and counter the sort of imagery normally associated with incarceration and confinement. The project thus wilfully circumvents images whose sole purpose, Martins argues, is to confirm the already held opinions within dominant ideology about crime & punishment: violence, drugs, criminality, race.

This artwork is also available, separately, as a unique edition NFT in the form of a 30sec video with original audio. Please contact the studio  to enquire about purchasing the NFT.

(This artwork is available VAT free through The Moth House’s site only. Free shipping also applies to UK and Europe.)


Date: 2020
Dimensions: 240mmx300mm x2
Medium: C-prints mounted on aluminium
Frame: Wooden box frame with non-reflective glass
Edition: 2/3 (signed and numbered)
With authenticity certificate

About the Artist
Edgar Martins is visual artist woking across different media. His work is represented in several high-profile collections, such as those of the V&A, RIBA, the Dallas Museum of Art; MAST , MUDAS, Modern Art Centre Lisbon, MAAT, Fondation Carmignac, amongst others. He has published over 16 books which were met with critical acclaim and exhibited internationally. He was selected to represent Macau (China) at the 54th Venice Biennale.