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David Campany, Edgar Martins, Will Self /

Anton’s Hand is Made of Guilt. No Muscle or Bone. He has a Gung-ho Finger and a Grief-stricken Thumb.

This a documentary project, a novel, a lipogramme and an imaginary anthropological study in one. It responds to the death and disappearance of the author’s close friend –photojournalist Anton Hammerl– during the 2011 Libyan war, through an examination of the geography and circumstances surrounding his demise as well as a reflection on the paradoxical role that photography has played in conflict zones.

£65.00 buy
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David Campany, Edgar Martins, Will Self /

Anton’s Hand is Made of Guilt. No Muscle or Bone. He has a Gung-ho Finger and a Grief-stricken Thumb.

This a documentary project, a novel, a lipogramme and an imaginary anthropological study in one. It responds to the death and disappearance of the author’s close friend –photojournalist Anton Hammerl– during the 2011 Libyan war, through an examination of the geography and circumstances surrounding his demise as well as a reflection on the paradoxical role that photography has played in conflict zones.

£100.00 buy
Last copies
Edgar Martins, Mark Durden /

What Photography & Incarceration have in Common with an Empty Vase

This project results from a collaboration with inmates, incarcerated in the West Midlands (UK), their families and local organisations and individuals. By giving a voice to his subjects, the author proposes to rethink and counter the sort of imagery normally associated with incarceration and confinement.

£100.00 buy
Last copies
Edgar Martins, Mark Durden /

What Photography & Incarceration have in Common with an Empty Vase

This project results from a collaboration with inmates, incarcerated in the West Midlands (UK), their families and local organisations and individuals. By giving a voice to his subjects, the author proposes to rethink and counter the sort of imagery normally associated with incarceration and confinement.

£65.00 buy
Edgar Martins, Nuno Faria, Roger Luckhurst /

Destinerrance

This book surveys the largest exhibition to date of the project Siloquies and Soliloquies on Death, Life and Other Interludes, at the CIAJG, Portugal, forcing us to consider photography’s role in the intelligibility of death.

£35.00 buy