This essay was first published in Martins’ The Diminishing Present. Osborne’s responds to Martins’ project and proposes his own photographic poetics of space.

This essay was first published in Martins’ The Diminishing Present. Chanlder responds to Martins’ work in a personal and intimate way, exploring the memories it awakened in him.

This essay was first published in Martins’ The Diminishing Present. Campany’s fictional and intimate recalls a dream he had inspired by Martins work.

This essay was first published in Martins’ The Diminishing Present. Porto and Amaral’s original essay break down the prevalent themes in Martins’ work and develop an in-depth visual semiotic analysis of each of them.

This essay was first published in Martins’ The Diminishing Present. Serén explores how borders, non-place spaces and myths are tackled in Edgar Martins’ work and how they explore ideas of uncertainty about the future.

This essay was first produced to accompany a feature of Edgar Marins’ work in Hot Shoe Magazine. Shahrad’s fictional essay is inspired by Martins’ The Accidental Theorist.

This essay was first produced to accompany a feature of Edgar Marins’ work in Hot Shoe Magazine. Exley’s essay deconstucts and analises Martins’ approach and methodology in The Accidental Theorist.